Goodman, for his part, frequently almost gets there with his production-slow jam “Different Planet” features a fat bass line that steer the song toward Timbaland territory but gets stranded in Ginuwine-lite. Hervey’s lyrics desperately need a dose of vulnerability or color she’s about as convincing on the subject of love as Flava Flav. Much of the album follows this tendency, gesturing at an idea rather than filling it in. “All night, gotta stay up / And I just can’t get enough / Going out, I’ll see you around / Downtown in the scene,” Hervey sings. Single “Hit the Ceiling” is a prime example. In trying to sound laid-back, Lion Babe wind up sounding nearly anonymous. They could have been made by a grab bag of alt-R&B artists over the past decade they meld warbly bass, predictable chord changes, layered vocal effects and nonsensical lyrics to create enjoyable yet inconsequential experiences. Many of the tracks on Cosmic Wind, however, are undercut by a lack of energy or a distinct identity. On the smoldering “Sexy Please,” Goodman deploys muted double-time drums that call back to voguing balls, and with a pulse beneath her, Hervey allows herself flashes of cheeky personality that are otherwise missing throughout the album. Standout “Into Me” is a bouncy and effortless electro-bop that finds Hervey operating like a siren: “Intimacy / sexually / emotionally / financially / spiritually / get into me,” she purrs. The album is at its best when the pace picks up, effectively canceling out the duo’s desire to set a mood. She even slips into a throaty rap, proving herself more than capable when she deploys her rapping on Cosmic Wind, like on the minimalist “Reminisce,” it’s a counterweight to her singing, which sometimes feels on the verge of drifting into sleepy weightlessness. The album starts off strong with opener “Cosmic Wind.” Hervey sinks into a warm, bass-heavy groove, her Badu-indebted vocals imploring her subject to tell what’s on his or her mind. To their credit, Lion Babe don’t seem to be chasing hits anymore, and there are moments on this album-like the Pet Shop Boys-sampling, Raekwon-featuring summer jam “Western World”-that feel truly freed from the constraints of their past work. The focus is vibe and mood, on allowing yourself to-as Hervey sings on “Never Before”-“Sip slow with my eyes closed/I can feel more when I let it flow.”įree from their major-label deal, Lion Babe returns to the genial blend of R&B, funk, and mellow electronica of their 2016 debut, Begin. Now the stage is empty and the lights are low.Cosmic Wind, the sometimes-engaging, often-listless second album from Lion Babe (aka singer Jillian Hervey and producer Lucas Goodman) seems crafted with a fantasy in mind: warm summer night, rooftop overlooking the city, Christmas lights, friends laughing, drinks flowing. He filled our lives with the soft sound of poetry as only he could recite it. He was always to be counted upon to be supportive of the aims and purposes of the Society. We mourn the loss of our long-time Trustee and faithful friend. He was remembered for his contributions in a New York Times encomium by Frank Crohn, President of The Edna St. He died of stomach cancer in Los Angeles, California on April 11, 2007, at the age of 84. He even narrated the vinyl audiobook The Story of Star Wars, based on A New Hope, then simply titled Star Wars. He also played Gazenga in The World's Greatest Athlete. Arrow in the 2002 Disney animated feature film, Treasure Planet, and Clarence Saint-John in The Proud Family episode " Wedding Bell Blues".
Lion babe begin vinyl series#
He also voiced the narrator in the 1995 film, Babe and the Kingpin in the 1990's Spider-Man: The Animated Series from 1994-1998.įor Disney, he voiced Francis in the 1988 Disney animated feature film, Oliver & Company, Mr. Barnabus Foster on the sitcom The Cosby Show. 1960- 2007 Source Roscoe Lee Browne was an American actor and director, who is known for his rich voice and dignified bearing.
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